SOFTWARE LICENSING AGREEMENT
PLEASE READ THIS CAREFULLY BEFORE YOU OPEN THE DISK PACKAGE.Como Configurar Korg NanoKontrol 2 - Serie Como tocar en Vivo con Ableton Live 9 - Video #5 - Duration: 10:42. Odir Ruano 52,374 views.
THE FOLLOWING IS THE SOFTWARE LICENSING AGREEMENT BETWEEN YOU, THE END USER, (REFERRED TO IN THIS AGREEMENT AS “YOU” OR “YOUR”) AND KORG INC. (REFERRED TO IN THIS AGREEMENT AS “KORG”) FOR YOUR USE OF THE SOFTWARE IN THIS PRODUCT AND OUR SUPPORT SERVICES TO YOU. THE ENCLOSED SOFTWARE PROGRAM IS LICENSED BY KORG TO YOU AS THE ORIGINAL PURCHASER FOR USE ONLY ON THE TERMS SET OUT HEREIN. BY USING (INSTALLING OR MAKING A BACKUP COPY OF) THE SOFTWARE, YOU ARE AGREEING TO THE TERMS SET OUT IN THIS AGREEMENT. IT IS THEREFORE IMPORTANT THAT YOU READ THIS LICENSING AGREEMENT WITH CARE BEFORE USING THE SOFTWARE.- The nanoKONTROL Studio connect not only via USB but also wirelessly. It can easily connect to iPad/iPhone music apps such as KORG Gadget and Apple GarageBand, or to your Mac/Windows music production software. Freed from annoying cables, you can set up your equipment easily and efficiently.
- NanoKONTROL2/KORG USB-MIDI Driver (for Windows 10) 1.15 r38e 2020.08.28 / EXE: 6.4MB.
1. GRANT OF LICENSE AND COPYRIGHT
Korg grants you, the original purchaser, the non-exclusive right to use the program and the data file constituting this software and the upgrade program(s) as well as the data file(s) which may be distributed to you from time to time (hereinafter referred to collectively as “Licensed Program”) on associated Korg product(s) and/or a single computer under your control and used by only one person at a time.
All references to the Licensed Program shall mean the object code only of the program(s) comprising the Licensed Program.
The Licensed Program and any manuals or other written documentation supplied with the Licensed Program belongs to you. The ownership of the rights to and the copyright of the Licensed Program itself (whether supplied via a storage device, diskette, download from the Internet or otherwise) and the copyright of the contents of any manual or other written document belong to Korg.
Korg reserves the right to make modifications to the Licensed Program and to the support services set out in clause 7 of this agreement (referred to in this agreement as “the Services”) without prior notification to you.
2. RESTRICTIONS
The Licensed Program contains copyrighted information. For the purpose of protecting such copyrights, you may not decompile, disassemble, reverse engineer, or otherwise reduce the Licensed Program to a human-perceivable form (save as may be permitted by law).
You may not duplicate, alter, modify, rent, lease, resell, assign, loan, sub-license, distribute the whole or part of the Licensed Program, or make derivative works based on what is contained in the Licensed Program. (However, it is not included in this restriction that you create derivative works based on the data file(s).)
You may not transfer the Licensed Program to another computer through a network.
You may make only one backup copy of the Licensed Program, which you are only allowed to use for the purpose of restoring the Licensed Program.
3. TERMINATION
This agreement takes effect on the date you have received the Licensed Program. The license granted in this agreement will terminate automatically without notice from Korg in the event that you breach any provision of this agreement or in any way infringe Korg’s copyright in the Licensed Program.
In such event you must destroy the Licensed Program and its backup copy immediately.
4. PRODUCT WARRANTY
Korg warrants that the Licensed Program when properly used will provide the facilities and functions as described in the accompanying documentation but does not warrant that the operation of the Licensed Program will be uninterrupted or error-free.
This warranty shall however only apply to the latest version of the Licensed Program (provided that Korg has reasonably made such version available to you) and shall not apply to any previous version or versions of the Licensed Program.
Korg’s obligation and your exclusive remedy under the warranty mentioned above, is limited either:
(a) to Korg at its own expense using all reasonable endeavours to rectify any non-conformance with the warranty by repair (by way of a patch, work around, correction or otherwise) within a reasonable period of time or,
(b) to a refund of the license fee paid (if any) if in Korg’s reasonable opinion it is unable to rectify such non-conformance within a reasonable timescale or at an economic cost, whereupon this agreement and the license created by this agreement shall terminate.
The warranties provided in this clause 4 is limited to the product purchased from an authorized retailer, distributor or download from the Korg website.
5. LIMITATIONS ON LIABILITY
You agrees that the express obligations and warranties made by Korg in this Agreement are (so far as is permitted by law) in lieu of and to the exclusion of any other warranty, condition, term, undertaking or representation of any kind, express or implied, statutory or otherwise, relating to anything supplied or services provided under or in connection with this Agreement including (without limitation) any warranty as to the condition, quality, performance, merchantability or fitness for purpose of the Licensed Program and the Services or any part of them.
Korg, in no event, will be liable for the direct, derivative, collateral or consequential damage caused by the use of or the inability of using the Licensed Program (including but not limited to damage of data, lost commercial profit, interruption of work, lost commercial information), regardless of the degree of damages, and even if Korg was aware of the possibility of such damages or the possibility of a claim for damage from a third party in advance.
Nothing in this agreement shall affect the statutory rights of any person dealing with Korg as a consumer.
6. THIRD PARTY SOFTWARE
Korg may on occasions supply software programs, data files and/or documentation belonging to a third party or parties (hereinafter collectively referred to as “Third Party Software”).
If supplied in conjunction with any Korg instrument or equipment, such Third Party Software shall only relate to the non-essential functions of such instrument or equipment.
If Third Party Software has been supplied (whether in conjunction with any Korg instrument or equipment, or as a stand-alone product) a notice to that effect will be contained with or on the disk supplied and in such circumstances Korg shall be deemed to be acting as the agent only of the supplier of such Third Party Software.
In the event that Third Party Software is supplied, you agree to be bound by and to observe any terms and conditions relating to the use of such Third Party Software.
Korg shall not be obliged to provide support services for any Third Party Software supplied (whether relating to operating methods, defects, or otherwise).
Korg provides no warranty in relation to any Third Party Software supplied and all warranties whether express or implied as to the condition, quality, performance, merchantability or fitness for purpose of the Third Party Software or any part of the same are (in so far as may be permitted by law) hereby excluded.
Korg furthermore disclaims all responsibilities for direct, derivative, collateral or consequential damages caused by the use of or the inability of using the Third Party Software (including but not limited to damage of data, lost commercial profit, interruption of work, lost commercial information), regardless of the degree of damages, and even if Korg was aware of the possibility of such damages in advance.
7. SUPPORT SERVICES
Support services such as technical support or upgrade support for this product are provided according to the support service policies of Korg’s distributors applicable in each country.
Korg reserves the right to amend any such policies from time to time in its absolute discretion.
8. GENERAL
The license created by this agreement is personal to you and you may not assign or otherwise transfer your rights or obligations under this agreement without the prior written consent of Korg.
If any part of this Agreement is found by a court of competent jurisdiction or other competent authority to be invalid, unlawful or unenforceable then such part shall be severed from the remainder of this Agreement which will continue to be valid and enforceable to the fullest extent permitted by law.
This agreement is governed by and construed under the local law of the country where this product has been purchased.
You hereby agree to the exclusive jurisdiction and venue of the aforementioned territory, without regards to conflicts of law provisions.
Headings have been included for convenience only and shall not be used in construing any provision in this Agreement.
KORG nanoPAD2 [ Full In-Depth review]
NanoSERIES2 :
Like all nanoSERIES2 controllers, the nanoPAD2 had to be compact, lightweight and sized to work well with any laptop or desktop computer. In addition, the nanoPAD2 also had to pack in 16 great-feeling and dynamic-sensing pads – as well as leaving room for the X-Y touchpad! The Korg nanoPAD2 does all this and more. In fact, there are four banks of pad assignments, providing a total of 64 pads setups.
Some people say these types types of products as a korg nanokontrol.
Korg’s original nanoSeries kickstarted the super-compact MIDI controller construct in late 2008, and competitor Akai responded with their slimline LPD8 and LPK25 units.
Korg currently returns fireplace with the nanoSeries 2, which contains three units. All ar USB-powered class-compliant MIDI devices, which means that you {just} just plug them in and off you go – no want for drivers or external power provides.
“The original nanoPad pleased U.S.A. greatly with its durable, responsive drum pads. Now, they’ve fully grown in range from twelve to sixteen.”
A sleeker and additional rounded-out design makes the devices easier on the attention and in-keeping with this trend for softer aesthetics.
Paddywhack
he original nanoPad pleased U.S.A. greatly with its durable, responsive drum pads. They’ve fully grown in range from twelve to sixteen, with a small separation down the center, effectively presenting them as two banks of eight.
The Flam and Roll buttons
These are replaced with Gate Arp, bit Scale, Key/Range and Scale/Tap choices. These are performance-oriented controls to be used in conjunction with the wonderful X/Y pad.
In its normal mode,
the X/Y pad transmits CCs; in grips Scale mode, the X axis instead sends notes whereas the Y controls note length. so you’ll be able to play musical patterns and phrases, very like on Korg’s Kaossilator series.
Scales and keys:
These are accessible via the Key/Range and Scale/Tap buttons – whereas holding one in all these down, you’ll be able to choose notes and scales by pressing the pads.
Gate Arp:
Its creates rhythmic ‘gated’ notes at a fixed tempo (set via tap tempo or synced to MIDI). You hold a pad and use the X/Y pad to regulate the speed – ideal for glitchy effects or basic drum rolls. By engaging bit Scale mode, you’ll be able to play gated melodies on the X/Y pad.
There ar four bank choose buttons, creating a complete of sixty four ‘virtual’ pads. With every able to trigger up to four notes promptly (ie, chords), the nanoPad has melodic potential aplenty.
Editor’s alternative:
The full feature-set of the first nanoSeries may solely be accessed via the Kontrol Editor software system, and this is often still the case. There ar a couple of changes for the new devices, though.
On the nanoPad, every pad will send four notes, CCs or program changes, as against the original’s eight. Per-pad choices to work out whether or not a pad is enclosed once using the gated modes. The X/Y pad may be assigned as you prefer, though this is often currently world and not per scene.
Note that you just will transfer the Kontrol Editor before shopping for a nanoDevice to urge a compassionate its mapping prospects.
The original nanoSeries clad to be neat companions for Apple’s iPad, and this is still true. Apps that support Core MIDI (eg, GarageBand and Akai SynthStation) ought to work simply fine.
Korg’s own iElectribe and iMS20 apps sport a ‘nano two native’ mode, which can assign the controls fittingly after you connect a nanoPad. simply make sure to disable this if you would like your custom mapping to remain!
Korg Nanokontrol Editor
Some good new practicality and a mild makeover sees the nanoSeries heading within the right direction. However, fans of the primary nanoSeries may be irritated that sure options are ditched to create means for brand new ones, instead of the present feature-set being expanded .
Dynamic trigger pads capture all your performance nuances
The sixteen velocity-sensitive pads provide excellent response to your fingertips, and also realistically convey the playing feel to your sequencer or DAW software, ensuring that your drum parts will be full of life. By switching between the four scenes, you can experience 64 different pad assignments.
Just connect a single USB cable from your computer to the nanoPAD2, and you’ve got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
Create musical phrases using the X-Y touchpad, Touch Scale, and Gate Arp features
The X-Y pad can be used to control multiple synthesizer parameters. In addition, the new “Touch Scale” function lets you intuitively play phrases on the X-Y touchpad, just as on the kaossilator. You can choose from sixteen different scales, and specify the root key and note range to ensure that your performance stays within your song. The “Gate Arp” function, borrowed from the kaossilator Pro, transmits note data based on tempo; Tap tempo and tempo sync are supported. Combined with the Touch Scale, the Gate Arp allows you to play tempo-synchronized phrases and rhythms simply by stroking the X-Y pad or playing the pads.
Korg Nanokontrol
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IF YOU WANT TO KNOW MORE ABOUT SOFTWARE LICENCE BUNDLE
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